Caps Repeats Fronzoni series introducing the color tables, beds, chairs and armchairs were born in ’64 in just black and white, are tinged with primary colors , like a Mondrian painting . The artifacts designed by basic A.G. Fronzoni are now available in Color version, matt lacquered in yellow sun, blue and red cherry India . All this because that Mies ” less is more ” less is more, does not become ” bore s read , ” less is boredom. The basic concept is unchanged : a supporting structure metal tube square is enriched with elements wood, available in matte white lacquer finish or anthracite . The seat and back are upholstered in polyurethane foam and removable covers in cotton, synthetic leather or leather in white or black. L ‘ word that sums up this collection is minimal , the term was born in the 60s and refers to ‘ homonymous American art movement that includes authors such as Sol Lewitt which then declines in the fields of fashion and design , architecture and music. The word that introduces the world is minimal “reduction” means reduction of decorative ornaments that are tied to ‘ ostentation or self representation through objects owned . A design that brings the artifact to its essentials , emphasizing the simple geometry based on mathematical proportions , preferring the formal rigor as any other quality. No unnecessary for the recovery of the value of essentiality . Franzoni repeated that ” Aim for the essential, eliminating any effect superfluous, unnecessary flowering, develop a concept on a mathematical basis , around a fundamental idea, a basic structure , furiously avoid waste and excess . “All ‘ of these shows assumptions, the graphic designer Pistoia has pledged Caps to communicate through the content rather than the image.